miro1542.jpg
Joan Miro, 4/20/1893 to 12/25/1983

The only real space we have in this life
is that into which art rushes, unbidden
and speaks for us
about those things for which
there can be found
no other voice.

 

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artists may post their artwork here

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On this page, we may include pictures of our members or of the work we do.

"Don't push the river,
it flows by itself"
Fredick S Perls

Thursday, July 16, 2009

A.D. Solidified


The slopes yawn in stiff light,
unbending, breathing
how rock forms moon’s

soliloquy in cool pine
night
settles in the stubble,

the castoff air
all the stillness

this is where
I know I will find you 
abounding in the shell of the opalized moon
and solemn
ice birds perched
in glittering trees

always they will vanish in the morning
like ghosts burned by light 

somewhere here in

the frozen hollows

love curls, stillborn


shadow or river?
currents splinter … indigo sounds of
birds, their indistinct tones of waking
 

If only you would remind me how to sleep,
when to breathe 

yet I once was, having owned the leaves
crowning the days, having possessed
the great garland of hours
and all the light 

how little remains here:
a box or two, monochromotic scraps and
sounds shaken, sieved
the voices of stones

yet night, 
thick with vowels
is still apportioned me

yes, these remnants I have, and
also
some paper words
which peer at the stars
from their anchors of pulp

They contort their thick brows in thought,
scribble unimportant things about stars
searching
dim, windy glades
like hopeless candles
mistaken for science.

‘Something lost.’ (they note)
‘Planets erased.’ 

You left words like lanterns
their restless rustle haunts the wind

that, and
a vast circus of trunks
hollowed by fire
no one else saw 

and days, too, these are something
I still possess

so many petals crushed
in soft
falling under passage
12:04 am edt 

Wednesday, July 8, 2009

Leaving Escalante


It was here, in these prismatic archways

the Grand Escalante came to rest
 
reminisced in
its own vast loss, its
subtleties of color, immutable memories

blood and rock

a complex, explosive past

 

and now the stern cliffs rise, solemn and upright

austere and dark, having learned
the folly of their violent past

 

all that lava, all those rock bombs
scattered from 
spewn upheavals,

now lukewarm

why, they just simply wouldn’t think of it now

 

eagle canyon,
a dried black dragon barely breathing its

small fist of goldenrods, Indian paintbrush,

how the fragile things have overcome the giants

slumbering loudly under the low clouds,

one frail root at a time

 

We don’t talk of our divorces, instead speaking

of how, at 12,  I flew across the black ice

of the Lombard lagoon,

sailed on skates made from

the crystalline fire of the stars, more free than

I’ve ever been since

 

And how he as a boy so badly wanted a stuffed rattlesnake,

opted instead for the cheaper scorpion encased

in plastic, back when

he and his dad traveled these roads and

 

oh, you just haven’t lived till you’ve gone into

the Salina ladies room,
absolutely no doors, but guarded by

a 16’ Indian out front,

his raised tomahawk crumbled a bit, 
d
amaged, perhaps, in long gone battles
chopping away at some pesky

peeping Toms

 

This roadside stop

a small pinpoint of vulgar light,

a tiny circus of silliness surrounded

by the weeping dark,
the vastly inscrutable endlessness
of the Grand Escalante

It is an ineffable eternity

of geometric puzzles

that God has patiently worked out,

His interlocking buttes and cliffs

intricate in streaming color,

covered in tears of sage

battered by fists of coal

 

an improbable enterprise

leans wearily, cowboy style, on bars of the
cooling
shafts of sun,

a lone beacon to the folly of man in
the form of a self-serve worm stand

and I idly wonder

who inventories the livestock, what sort of

loss prevention they have concocted

 

And then Tom makes me laugh, saying

“if you’re born in Gunnison,

does that make you a son of a gun?”

 

behind us there is so much unseen

and even more unsaid, so much that is eternal

slips away into the darkness of Route 16

and soon we see in the headlights

a 1200 year old cliffdweller abode,

 

crazily perched 15’ above the highway and

guarded by a small chickenwire fence.

Both of us think the same thing, but

we don’t speak of it.

all of its ignomy, all of its glory, all of its
violent mouths, all of its shining, its beating,
its fury and its chaos and its sublimnity, all of
it reckoning ....

no one lives there any more

1:24 am edt 

2009.07.01

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